Critical note

by André de Sá Moreira

It's a war scene. A container, a gaping mouth of metal and plastic, grabs the artist by the hips and crushes him. The bombastic music of Jurassic Park amplifies the horror. Desamore i, folded, is literally eaten.

The container is no longer a simple urban object: it's an entity, a technological beast. You can almost hear the jaws crunching, the screws groaning. It's not a performance, it's a slow, defenseless killing.

The artist resists. He doesn't give in. And that's when the violence reaches its peak. Will he survive?

Engulfed, crushed, and chewed by a container that becomes the main character. It's an act of urban cannibalism. The artist becomes symbolic nutrient—digested by the city itself.

​